"Costanzo"

Well, I've got Audacity going for my own personal edification. 
This linecheck was pretty cool.

He mentioned specifically the Paladium, and I can believe that. It's sort of oldie. Don't think the acoustics would be good for a loud rockshow.

I think GNR is like sausage. Sausage is great, as long as you don't watch it being made. So keep enjoying the sausage and step away from the sausage factory.

Okay, liner notes, ASCAP, etc. etc. etc...

ASCAP is about getting paid. Liner notes are public credits.
Example: Everyone was given writing credit on AFD. Those sort of publishing royalties for song writers are where "real" money is at as far as royalties. Performance royalties are shit compared to publishing. Having the band all equally represented on AFD set everyone up for a nice stream of income in the future.  For UYI, I believe they had a system of coming up with 'how much' of a song they wrote. The shares were then administered by ASCAP. They're listed, but not the %s. It could be 10%, 10%, 80% on a song that has Duff, Slash, Axl. Or 40%, 40% 20%.

You can't read too much into either the album credits or the ASCAP paperwork that we have privy to. They're doing different things.

^Those were not good showings, and it wasn't good for Fernando, either. That's one reason I was banned from HTGTH, I pushed the issue of Fernando basically being a troll whenever he got on.

BUT... people act out when they come from a place of hurt.
Who knows how she'd act here if she was coming in as manager, and not reacting out of hurt feelings or frustration, etc.

Forums not a good indicator, but it might not be THE indicator.