Oh man, I can't wait to check this guys YouTube channel out. Hopefully later today.

http://loudwire.com/justin-timberlake-s … -rehfeldt/

Remix master Andy Rehfeldt has just unleashed yet another piece of parody with a metal version of Justin Timberlake’s ‘Suit & Tie.’

You may be familiar with Andy Rehfeldt, whose work has accumulated over 31 million views on the musician’s YouTube channel. Along with transforming pop songs such as Justin Bieber’s ‘Baby,’ Lady Gaga’s ‘Paparazzi’ and Miley Cyrus’ ‘Party in the USA’ into insane metal pieces, Rehfeldt also goes the other way by giving metal’s biggest bands a pop makeover. In this respect, Rehfeldt’s most viewed works include a smooth jazz version of Metallica‘s ‘Enter Sandman,’ a Radio Disney version of Slipknot‘s ‘Wait and Bleed’ and a bossa nova version of Iron Maiden‘s ‘The Trooper.’

Rehfeldt’s latest offering is ‘Justin Timberlake Does Metal,’ which has been racking up big numbers on YouTube. Taking a recent Timberlake performance as inspiration, the pop singer’s backing band gets turned into a metal powerhouse in this version of ‘Suit & Tie.’ If you’re a regular Loudwire reader, you may not be a fan of Justin Timberlake — and you may not be wrong. However, this new Rehfeldt creation is worth checking out.

Watch Andy Rehfeldt’s metal re-imagining of ‘Suit & Tie’ in the video above.

On Aug. 30, 1973, after two years and two albums without deceased frontman Jim Morrison, the surviving members of the Doors decided to call it quits.

The move represented a reversal for remaining Doors John Densmore, Robbie Krieger and Ray Manzarek, who’d elected to carry forward as a trio following Morrison’s death on July 3, 1971. In October of that year, the reconfigured band released ‘Other Voices,’ recorded with Krieger and Manzarek sharing lead vocal duties; the following year, they repeated the formula for the group’s eighth studio LP, ‘Full Circle,’ released on July 17, 1972.

While neither post-Morrison record could rightly be considered a flop — ‘Other Voices’ peaked at No. 31 on Billboard’s Top 200 Albums chart, while ‘Full Circle’ got as high as No. 68 — neither captured the public’s attention the way the band’s music did when Morrison was at the helm. In fact, the band’s profile had decreased so markedly that its breakup was merely mentioned in passing in the pages of Rolling Stone.

The Doors’ legacy proved hard to escape, however. Densmore, Krieger and Manzarek decided to pull the plug only after auditioning a series of vocalists to replace Morrison — and they might have settled on former Audience singer Howard Werth if Manzarek hadn’t opted out, leaving Krieger and Manzarek to regroup and soldier on for a couple of years as the poorly christened Butts Band.

By 1978, all three of them were back in the studio again, lending backing tracks to recordings of Morrison reciting his poetry. The result, ‘An American Prayer,’ went platinum, helping cement the trio’s position as custodians (and occasional opportunists) of Doors history.

The surviving Doors have reunited sporadically in subsequent years, both in the studio (where they reconvened to complete the song ‘Orange County Suite’ for a 1997 box set) and on the stage (at the Rock and Roll Hall of Fame in 1993 and for a 2000 episode of ‘VH1 Storytellers’). In 2002, Manzarek and Krieger drafted Ian Astbury of the Cult to front a Doors tribute called the Doors of the 21st Century — at least until legal action from Densmore prompted a switch to Manzarek–Krieger or Ray Manzarek and Robby Krieger of the Doors. This version of the band dissolved on May 20, 2013, following Manzarek’s death from cancer.

http://ultimateclassicrock.com/doors-break-up/